EXHIBITION

     

BARDO



The first major exhibition in Paris devoted to the work of Gerard & Kelly presents new bodies of work that together reveal the hybridity and multidisciplinarity of the duo’s practice, rooted in an ongoing investigation of history, architecture, and sexuality. Bardo at Marian Goodman Gallery unfolds as a time-based, multi-sensory experience. Its title, drawn from Tibetan Buddhism, refers to the transitional state between death and rebirth, a passage in which consciousness undergoes profound transformation. Through evocations of saintly figures—openly or symbolically queer—Gerard & Kelly create a space for reflection and resonance between past and present, shadow and light, the profane and the sacred.


DOCUMENTATION
Installation view of Gerard & Kelly: Bardo, Marian Goodman Gallery, Paris, 2025.
Installation view of Gerard & Kelly: Bardo, Marian Goodman Gallery, Paris, 2025.
Installation view of Gerard & Kelly: Bardo, Marian Goodman Gallery, Paris, 2025.
Gloria, 2025. Polyester resin cast, automobile paint, gold leaf; disco ball, chain, motor.
Disco Saint (detail), 2025. Silkscreen and neon on Dibond aluminum, 200 x 100 cm.
Installation view of Gerard & Kelly: Bardo, Marian Goodman Gallery, Paris, 2025.
Souvenir (after a photograph by Eileen Gray), 2025. Transparency, gouache, light box, 30.5 x 37.5 x 3.5 cm.
Installation view of Gerard & Kelly: Bardo, Marian Goodman Gallery, Paris, 2025.
Monsieur Gray, 2025. Transparency, gouache, light box, 35.3 x 27.8 x 3.5 cm. 
Gloria (detail), 2025. Polyester resin cast, automobile paint, gold leaf; disco ball, chain, motor. 




Eclipse, 2025. Transparency, gouache, light box, 35.7 x 44.5 x 3.5 cm.
Défense de rire, 2025. Lamp (Pailla Wall Lamp, design by Eileen Gray, 1927), bulb, stencil, acrylic, illumination program, dimensions variable.
Portrait Recto/Verso, 2025. Transparency, gouache, light box, 27.7 x 35.2 x 3.5 cm.
Glyphs VI, 2024. Monotype silkscreen and gold leaf on metallic paper; two parts: 28.5 x 48 cm each.
E for Eileen, 2023. 4K video, color, sound, 22 mins. Installation view: Marian Goodman Gallery, Paris.
Disco Saint, 2025. Silkscreen and neon on Dibond aluminum, 200 x 100 cm.
Pompidou Pulse, 2025. Silkscreen, acrylic and neon on canvas, 220 x 150 cm.
Glyphs VII, 2024. Monotype silkscreen and gold leaf on metallic paper, 28.5 x 48 cm.
Solarium ensoleillé, 2025. Mat board (passe-partout), lamp (Pailla Wall Lamp, design by Eileen Gray, 1927), bulb, acrylic, 50 x 39 x 8 cm.



INFORMATION
2025 | Solo exhibition
Marian Goodman Gallery, Paris


Credits
Installation design in collaboration with Simon de Dreuille | Lighting design: David Debrinay | Programming and equipment: Impact Événement | Sound engineer: Thibaut Macquart | Framing and fabrication: Cadre-en-Seine | Screen-printing: Atelier Fwells and Marginal Editions | Neon fabrication: Alexis Néons | Digital modeling and visualization: Jean-Baptiste Krauss and Baleinstud | Sculpture fabrication: Markov Studio | Studio manager: Vincent Brou | Production assistance: Tom Dulou | Exhibition photography: Rebecca Fanuele |  Special thanks to Nicola Liuicci-Goutnikov and Béatrice Sarno of the Bibliothèque Kandinsky at Centre Pompidou, Laura Turcan, Raphaelle Coutant, Bettina Creste, Stacey Berman, Clément Wibaut, Tom Dulou, and Felipe Londoño
Marian Goodman Gallery
Review by Pascale Krief, Flash Art

Interview with Anaël Pigeat, Art Basel
Gerard & Kelly in conversation with Béatrice Grenier