FILM
   
     

PANORAMA



Shot in Paris at the Bourse de Commerce – Pinault Collection, Panorama is a 22-minute film on the interface of bodies, architecture and history. Three muses lead the viewer through turbulent arcs of choreography created in response to the 360-degree frieze adorning the site’s late-19th-century rotunda. A hybrid dance film and visual essay, Panorama re-imagines the Bourse de Commerce as a refuge from commerce, especially the violent history of colonial capitalism depicted in the panoramic painting. In its installation version, the film is projected onto a free-standing, curved panoramic wall.  




DOCUMENTATION
Panorama, 2021. 4K video, color, sound, 22 minutes.
Panorama, 2021. 4K video, color, sound, 22 minutes. Guillaume Diop.

Panorama, 2021. 4K video, color, sound, 22 minutes. Germain Louvet, Soa de Muse, Guillaume Diop.


Panorama, 2021. 4K video, color, sound, 22 minutes. Installation view: Carré d’Art – Musée d’art contemporain de Nîmes, France.
Panorama, 2021. 4K video, color, sound, 22 minutes. Installation view: Marian Goodman Gallery, New York.
Panorama, 2021. 4K video, color, sound, 22 minutes. Installation view: Marian Goodman Gallery, New York.
Panorama, 2021. 4K video, color, sound, 22 minutes. Installation view: Marian Goodman Gallery, New York.


INFORMATION
2024 | Group exhibition
Narrative Obsession in the Post-Colonial Psyche, The 8th Floor, The Shelley & Donald Rubin Foundation, New York2023 | Solo exhibition
Gerard & Kelly: Ruins, Carré d’Art – Musée d’art contemporain de Nîmes, France2022 | Solo exhibition
Gerard & Kelly: Panorama, Marian Goodman Gallery, New York   2022 | Screening
Festival Côté Court, Pantin, France2021 | Screening
Bourse de Commerce – Pinault Collection, Paris
CreditsWith Guillaume Diop, Germain Louvet, Soa de Muse | Music: Julius Eastman | Director of photography: Clément de Hollogne | Editor: Félix Rehm | Costume design: Camille Assaf | Production: & Compagnie with the support of Pinault Collection | Postproduction: Harbor Picture Company

Miwon Kwon, “Remains of Future Dreaming: Gerard & Kelly’s Art of Allegorical Constellations”

Joseph Giovanni, The New York Times
Marian Goodman Gallery